Tone List publishes scores that concern conceptual & experimental processes, graphic scores & structured improvisation, by its artists and by Perth-based experimental musicians.

Most of these scores are free to access with the links provided, and you are welcome to perform them as you please, however as a courtesy we would appreciate you contacting the artist to let them know of the performance, and send a recording if it's possible that one be made. For scores where links are not provided, please contact the artist (in all likelihood, the score is available, but as yet unpublished).

We are happy for you to print scores yourself for performances, but printed-on-demand hard copies can also be ordered for those interested (perhaps for a library or exhibition). Please contact Tone List to place an order or inquire about prices. 

Sage J Harlow (a.k.a. Sage Pbbbt) - sagepbbbt [at] gmail [dot] com


Ashes of Burnt Sage (2017). at least 20' for multiple drummers and multiple vocalists. score / notes

as she walks through the fields (2017). open duration for five speaking voices. score

Voiceless Fricatives (2017)open duration for two voices. score

Binary Count (2017). open duration for any number of speaking voices. score

Thirteen pages of improvisation (2017). open duration open instrumentation. score / notes

Chakra Song (2016). collection of pieces. open duration for small to large ensemble (any instrumentation). score

Variations without a theme (drones ongs) (2016). collection of pieces. open duration for small to large ensemble (any instrumentation). score


Josten Myburgh - josten_myburgh [at] hotmail [dot] com


Willowmavin (2017) 18' for harp & electronics. score

The silver morning shifts her birds from tree to tree (2017). 9' for ensemble & generative electronics. score

Composition for two rooms (2017). 18-30' for percussion & spatialised electronics. Co-composed with Michael McNab.

...but the trees i know sing breves (2016-2017). 25' for soprano, clarinet in Bb, violoncello, piano & percussion. score / recording

Somehow hearing (2017). 25' for at least fifty musicians.

For Sage Pbbbt (2017). open duration for voice & percussion (thunder sheet)

Only (2017). 37' for glockenspiel & electronics.

A window in Sicily (2016). 29' for electric guitar & electronics. recording

Blessed, Very blessed (2015). 10' for contrabass, piano, choir & electronics. score / recording

Shoshana Rosenberg


Atid (2016). open duration for guitar & electronics.

Athena's Reign Begins (2015). open duration for any number of femme performers.