Tone List publishes scores that concern conceptual & experimental processes, graphic scores & structured improvisation, by its artists and by Perth-based experimental musicians.
Most of these scores are free to access with the links provided, and you are welcome to perform them as you please, however as a courtesy we would appreciate you contacting the artist to let them know of the performance, and send a recording if it's possible that one be made. For scores where links are not provided, please contact the artist (in all likelihood, the score is available, but as yet unpublished).
We are happy for you to print scores yourself for performances, but printed-on-demand hard copies can also be ordered for those interested (perhaps for a library or exhibition). Please contact Tone List to place an order or inquire about prices.
Sage J Harlow (a.k.a. Sage Pbbbt)
sagepbbbt.com - sagepbbbt [at] gmail [dot] com
silences (2018). open duration for two or more players. score
The 120 Days of Sodom / Must We Burn Sade? (2017) open duration for narrator and multiple players (any instruments). score
Hair. Metal. (2017) open duration for multiple long-haired metalheads. score
Silence Backstage (2017) open duration for one or more players backstage at a concert. score
Drone piece for sandpaper and drum (2017) open duration (long) for solo performer. score
John 4:33 (2017) open duration for one or more silent readers. (co-written with Djuna Lee & Dan O'Connor) score
as she walks through the fields (2017). open duration for five speaking voices. score
Voiceless Fricatives (2017). open duration for two voices. score
Binary Count (2017). open duration for any number of speaking voices. score
Chakra Song (2016). collection of pieces. open duration for small to large ensemble (any instrumentation). score
Variations without a theme (drones ongs) (2016). collection of pieces. open duration for small to large ensemble (any instrumentation). score
jostenmyburgh.com - josten_myburgh [at] hotmail [dot] com
The waves which have kept me from reaching you (2018) 30' for alto voice, alto saxophone, trumpet in Bb with effects pedals, electric guitar, violin, percussion and electronics.
Composition for two rooms (2017). 18-30' for percussion & spatialised electronics. Co-composed with Michael McNab.
Somehow hearing (2017). 25' for at least fifty musicians.
For Sage Pbbbt (2017). open duration for voice & percussion (thunder sheet)
Only (2017). 37' for glockenspiel & electronics.
A window in Sicily (2016). 29' for electric guitar & electronics. recording
Atid (2016). open duration for guitar & electronics.
Athena's Reign Begins (2015). open duration for any number of femme performers.